But with tilt the top of the book cover is completely out of focus, while the pieces of paper are in focus from front to back. In a normal situation the plane of focus is vertical, just like the sensor orientation. But also the focal length of the tilt-shift lens will determine the amount of tilt. The more you tilt the lens, the more the focus plane will tilt. I won’t try to explain the physics behind this principle, but it is imperative to understand how this principle affects the place where the focus will be. It tells us how much the focus plane will tilt. This effect is called the Scheimpflug Principle. If you could tilt the lens far enough, in theory, the focus plane would even become horizontal. As you can see in the drawing below, the focus plane will tilt in the same direction as the lens. The focus plane will no longer be parallel to the sensor plane. What Happens When the Tilt-Shift Lens Is Tilted?īy tilting the lens something strange happens. I used the Canon TS-E 24mm f/3.5L II for this setup with an aperture of f/3.5 to keep the depth of field at a minimum, but it also applies for every other focal length. Just imagine the plane of focus to be a flat surface that is exactly parallel to the sensor. But no matter how large or small the depth of field is, it is always parallel to the sensor, just like the focus plane itself.įor now, I will ignore the depth of field. A normal situation shows a plane of focus that runs parallel to the sensor plane.īy closing the aperture it is possible to get an area in front and behind the focus plane within an acceptable focus. Add in a robotic dragon and you have a great toy box with Metal Heart. A display of the finest miniaturized-toy-look short films wouldn’t be complete without some cars rolling around a dirt track and crashing into each other.In A Model Day at Magic Kingdom you’d think they built it all with their skilled hands. For decades, their engineers and artists have wowed audiences with model making and incredible attention to detail. There is no place on Earth as magical as Disney’s Magic Kingdom.The tilt-shift look is on full display in Toy Soldiers. They continue to entertain generation after generation. A classic miniature is the toy soldier.One of the most critically acclaimed is the short film “The Sandpit.” It gives a day in the life of New York City and is visually breathtaking.Here are some particularly well-known short films utilizing this technique. Fortunately, the video sharing sites of the Internet are home to the best examples there are. The best way to get a feel for the miniaturized toy look of tilt-shift is to watch some great examples. The Camera Lens Blur gives a very organic looking blur – much different from standard blurs. If the composite looks good, render a file into the desired format. At this point the composite is ready to prepare for the final render it’s important to look over everything and fine tune any parameters that are in need of adjusting. This will stretch the dynamic range of the image and increase its contrast. Slightly raise the high values, gently lower the darker values, and try to keep the mid-range about the same. In the Effect Control panel adjust the Curves filter with an S curve. With the adjustment layer still selected, go to the menu bar and select Effect>Color Correction>Curves. The boosted saturation lends itself to this illusion by taking it out of a real world color range. The goal is to make the subject of the clip appear to be a toy, not a full-size object. The amount a clip’s saturation is boosted is contingent on the footage used and the desired outcome. In the Effects panel increase the Saturation property to 20.
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